I’m spending a lot of time in the theatre this year, with many great collaborators, doing plays, performance art/dance pieces, and contemporary dance performance myself (luckily, I will not be dancing but playing percussion).  It’s going to be a lively schedule and even more is in the pipeline.

As i work on the various pieces, often all at once (as is the fate of the full time artist trying to make a living) I find myself having to split my mind into many pieces – or rather, access that piece of my creative mind that is tuned to the project I currently have booted up and running on my computer.

With the many years experience I have accumulated, this is not as difficult as it used to be, but only because of one thing – when I take something on, I spend a lot of time trying to understand it, to put my finger and ear on the central tenet of what the thing is supposed to be.  In this I am helped by my many collaborators but principally the directors and choreographers, but I find that that understanding I seek before starting to construct the sound can come from anywhere – a movement, a word, a picture, or perhaps the set.  The important thing is to remain open and welcoming to that one piece or moment that will guide me.

Let’s all do that.  Happy new year.