homewreckers and peggy baker

that post title didn’t sound quite right.

i am just finishing work on a new video for german dj trio homewreckers (that’s a still from the video there).  they asked me to do something for “the other side of town”, a track from their new CD, american ruhr.  more info later on where and when you might be able to see it.  a great quote from kodwo eshun on the result: a dialogue for a frame and an edge.

the first of a few scores this year for canada’s national treasure, dancer peggy baker is complete.  earthling will premiere @ the PUSH festival in vancouver, january 22 and 23rd are the performance dates.  more info here if you are in the vancouver area.  i will be making more music and video for peggy later this year for a new full length work.  stay tuned.

work continues on a couple of solo CDs!  slow going but i am really enjoying the minutiae of crafting the sound for these releases.

if you happen to be reading this before january 28th, come down to the tranzac in toronto, where i will be doing my first toronto performance of shruti, the field recording based audio performance i have done in germany, newfoundland, and banff.  each one is different….this performance has been programmed as part of david sait’s and michael keith’s night bazaar series.

…..reading this over i see that the holiday is over.  more to come.

the other side of town video still

2008/2009

it has been some time since my last post, and things are starting to wrap up here @ old monkey studios.

its been pretty memorable, really (see the post before this one). but there is no point going over a list of what happened, that’s what this blog is for.

i will say that 2009 promises to be full of great projects:

*a new solo CD is in the works, as well as documentation/recording projects with ensemble polaris, evergreen club gamelan maza meze (yes!) and more.

*i will be starting the creative process with the unbelieveable peggy baker, creating audio and video for an upcoming 1/2 hour dance work.  possible CD release is being considered as well.

*robert lippok and i are in the planning stages for some canadian concerts and possibly a CD recording

*work continues on audio and video pieces that will be influenced by the drumming and recording i did in kolkata this past fall

*who the heck knows what else?  that should keep me relatively busy i should think….

all the best to you and yours.

back in toronto

well, kolkata was more hectic than i had imagined.  all my well meant intentions to keep up blog posts failed in the light of puja dhakis, pollution, sweets, and arguments about shah rukh khan.  there are worse ways to spend a month i think.

lots of video footage, lots of audio has been collected and will be processed over the winter, perhaps into something new.

in the meantime, you can check out the promo video for “when the gods came down to earth”, below.  its pretty impressive, if i do say so myself—i did not get the chance to see it personally as i was in banff at the time.  the music for this video is one of the later pieces—in all there is about 35 minutes of sound.  further info on the project is available on the website.

until next time…

[youtube=http://www.youtube.com/watch?v=pEyQZ6rHAYM]

shruti: live performance streaming online now

the radio performance i did at the banff centre is now streaming online:

Shruti uses field recordings and video collected in Kolkata (formerly Calcutta), India as a starting point for a audio performance that explores the urban landscape of this great metropolis, filtered through the eyes and ears of someone intimately connected to but ultimately outside of it.  Part soundscape, part improvisation, Shruti uses a wide range of tools from the laptop to the harmonium to present an emotional and personal portrait of urban culture and personal experience.

paste this link into your mp3 player:

http://207.188.64.196:8100/listen.m3u
(update: the stream is now offline)

(in itunes, it is under the “advanced” tab.  other players, well, you’re going to have to check online for info.)

many thanks go to naomi potter and pandora syperek, the curators of the radio exhibition, and susan kennard, the banff new media institute director.

the audio stream will go from 10pm tonight (wednesday, sept. 17) until friday morning.  please tune in, and pass this on!

radio performance @ banff centre and online

i will be doing a live radio broadcast/performance next friday @ the banff centre.  luckily, you can tune in online here:  http://www.radio90.fm/

my performance begins at 6:15 alberta time (see here to help you calculate your local time for those of you tuning in via internet).  i am as always very excited to perform this work, especially because i never know what it will be.  expect to hear field recordings from kolkata, folk music, street sounds, a track or 2 from my CD quell, and perhaps some music i have been working on here.  the banff centre has a long and illustrious association with radio art, and i am very pleased to be included on the list of great sound artists who have performed radio in the past.

tune in.

tenori on launch in montreal

just back from a hectic 20 hours in montreal, where the lippok | sinha duo performed as part of the canadian tenori on launch, presented by yamaha and mutek.

it was a really tremendous evening, with the amazing montreal crowd living up to all expectations of being some of the best audiences anywhere. montreal’s pheek opened the evening with an abstract set, very different from the techno he is known for. i am robot and proud gave a tremendous performance, with his particular brand of warm/cool whimsical music. the whimsical tip continued with nathan michel, who played a lot of his set in 15/16 time.

robert lippok and i then hit the stage. an added bonus was the live visuals provided by toshio iwai, the inventor of the tenori on, who asked (if you please) if it was ok to generate visuals connected to my percussion instruments when robert and i did a soundcheck earlier in the day. those of you familiar with our first concert would have been quite surprised at the energy and intensity of this set, ending with a huge “krautrock” (in robert’s words) free for all. we were surprised ourselves—the soundcheck was completely different than the actual performance. the visuals were another incredible and inspiring factor in the performance. robert and i are actively looking for more opportunities for this duo project. keep your eyes peeled.

toshio iwai gave a presentation on the development of the tenori, starting his talk with an homage to canadian experiemental filmmaker norman mclaren, who did a lot of work with sound and visuals in the 70’s. he was happy to mention him in canada, and gave props to our great national film board. he took us through his own work and explorations with sound and light, starting off with his favourite little music box and treating us to some really jawdropping clips of his earlier installations, as well as photos and clips of the tenori on in development and on the production line. yu nishibori, the engineer working with toshio, also joined him onstage, taking us through the design process and demonstrating the rather sophisticated interface—similar to much great music, the interaction of discrete simple elements results in the possibility of very complex music.

the night was closed off by sutekh, in a very intense noise based set, and the very friendly and genial pole, who rocked the house with his dub based sound.

props to the mutek crew for organizing such an amazing event. they made everything so smooth that it was easy to just show up and play. hooray for mutek! last but certainly not least, thanks to yamaha, yu nishibori and toshio iwai for agreeing with robert to bring me in the first place.

more photos soon @ my myspace page but for now here’s a teaser. (update: there are pix on flickr here)

@ the tenori on launch in montreal, april 11/08

photo by jutta brendemuehl

following photos by yu nishibori

bochum

back from germany, country of easter goodness.

i had a very nice gig at the great and funky goldkante, home of the homewreckers and other ruhrgebeit funkiness. had about 50 people i think. tried out projections for the first time, which seemed to work quite well.

i’d like to thank tobias koth, the other tobias, sebastian, and johannes for helping me out with setting up the gig, and also andreas for writing a very excellent press release (in german!) for coolibri and taking some pictures. the pix below are by jutta brendemuehl. go to my myspace page for a musical sample of the night.

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drumming continues

it’s good to get back to drumming again. march 6 will see me in prince albert, saskatchewan, with dene singer/songwriter leela gilday….i hope we’re not playing outside. playing music with leela is great—not only is she a great singer and super person, the rest of her band is about the best bunch of people anywhere. and laying down grooves with my strange hand percussion/drum kit elements hybrid percussion setup is always fun. after all the blips, beeps, clicks and cuts of the new media work i have been doing its good to connect with the groove.

i also just talked to marc nadjiwan, who is working on a new CD. i played on his last one, also doing the hybrid kit thing, and this one is really a step forward in his sound.

you can’t step away from the groove…..